What would the title of your photography autobiography be?

This post was inspired by Neale James of the PhotoWalk Podcast, who posed the title question.

In the Australian winter of 2024, I decided to spend less time working and more time doing what I enjoy. I negotiated Fridays off from work and started a weekly focused practice in the photographic genres I most love: insect macro and candid street.

The Australian city in which I live, Sydney, has the chronotype of a teenager, typically not exhibiting anything more than the necessary rote signs of human life until around lunchtime. On the other hand, insects begin their quotidian insect-y business the second their haemolymph thaws in the warmth of our east coast sun. Except in insect diapause, my Friday photographic walks loosely follows these rhythms.

In the morning, I head out in my local suburban bushland or to one of the Sydney public gardens to photograph some of the beautiful and bizarre tiny creatures who live there.

Honeybrown Beetle, Mount Tomah Botanic Gardens, Blue Mountains, Sydney © Kari Price
Palm Planthopper Nymph, Taronga Zoo Gardens, Sydney© Kari Price

By noon, it’s often warm enough for all but mad dogs and crazy corporate joggers to do anything but seek out shady respite, and having walked about 7km by this stage, I head into the Sydney CBD for some lunch.

But here’s the thing: early on in my Friday jaunts, I discovered a café that serves the most delicious coeliac-friendly burnt Basque cheesecake, and then later, one that freshly bakes to-die-for gluten-free chocolate croissants, and more recently one that dares you to choose between the softest, creamiest double-layer chocolate mousse cake and the crunchiest, chewiest espresso butter, almond & chocolate roulade, or to indulge in a bit of both! And because coeliac-friendly fare in the ‘burb’ cafes where I live is generally heavy on texture (the kind that sticks to your teeth) and boringly from the same commercial bakeries, on Fridays, I abandon healthy lunches and eat delicious city cake instead.

Then, having consumed all the calories (and more) that I burnt on my morning walk, I attempt to burn more by heading into the Friday afternoon city crowd to photograph some of the beautiful, quirky and bizarre Sydney street life.

Mischief in the Making, Chinatown, Sydney© Kari Price
Marmite, braving the vegemite-loving streets of Sydney© Kari Price

So, while I’m unlikely to ever write an autobiography of any kind, least of all a photographic one, if I did, perhaps an apt title would be On Fridays I Eat Cake.

Delicious mini GF Black Forest cake at the NSW Library Cafe, Sydney© Kari Price

Weekly Photo Challenge: Muse

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Stylish in Shibuya

I’m lazy technically when it comes to photography. Part of the problem is that I have two sets of glasses and never seem to be wearing the right pair when I want to take a photo quickly. Which is frustrating because my muse is most certainly ordinary people, and for this reason the photography that I most enjoy is street photography, which requires spontaneity.

These lovely chaps cheekily photo-bombed me as I was taking photos down this street in Tokyo and then happily agreed to pose. Of course, my camera was on the wrong settings.

The other people-inspired form of photography that I love is portraiture, but I don’t get much time to do it these days. My good friend Kim is always a wonderful subject.

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For incredibly beautiful and technically perfect portrait photography, see Joshi Daniel’s blog.

For more entries to this week’s photo challenge, see The Daily Post.

The Beauty Of It

Oliver Sacks is loving it. Frederick Wiseman forgets that he’s it. Ellen Langer thinks that it’s possibly nothing but a mindset.

In Japan, they know how to style it.

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Ginza O-Fashionistas

Forget the Erololi, Ero-Kawaii and Gothic Lolitas of Akihabara, and the Cosplay kids of Harajuku; it was the quirky, fun and completely unselfconscious fashion sense of the older generation that stood out for me on the streets of Tokyo.

 

Weekly Photo Challenge: Dialogue

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For this week’s photo challenge, guest host Frédéric Biver suggests, “…for this week’s challenge, bring together two of your photos into dialogue. What do they say to each other?

What story do these two photos tell you?

 

Weekly Photo Challenge: Fleeting Moment

The fleeting moment is epitomized in street photography – frames of an unchoreographed ballet of movement, expression, interaction and unguarded moments.

But street photography is also an ethical minefield; sometimes people seem comfortable with being photographed, but often, not so, as appears to be the case in the photo below, judging by the firemen’s expressions.

I suspect that these men are resigned to being constantly photographed by strangers, given the location, the nature of their work and the tributes painted on their fire engine. But perhaps they’re also disgusted by the whole disaster-tourism aspect of it.

What do you think?

Are you comfortable with being photographed in public places by strangers? If someone that you had photographed in the street voiced their objection, what would you do?

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For more entries to this week’s photo challenge, see The Daily Post at WordPress.com

Weekly Photo Challenge: Ready

Ready to march

Anzac Day Marchers - Perth, Australia - 2005

I took this photo in Perth a few years ago – people were getting ready to march in the annual ANZAC Day Parade and the beautiful girl in the centre of the photo turned and gave me the biggest smile as I was snapping away. She really shone out and I just love that platform shoe peeking out from under her traditional Vietnamese costume!